TRIANGULAR APPROACH AND RELATIONAL PICTURE

CHALLENGES AND POSSIBILITIES FOR THE TEACHING OF ARTS IN BASIC SCHOOL

Authors

  • Alessandra Alves de Fontes Rodrigues IFCE
  • José Maximiano Arruda Ximenes de Lima IFCE

Keywords:

Triangular Approach. Relational Aesthetic. Relational Picture. Inclusion. Basic School.

Abstract

This article discusses the relationship between the Triangular Approach and the Relational Picture to reflect on the challenges and possibilities for adopting the Triangular Approach combined with the Relational Picture as a strategy for students. This procedure would engage them in a critical perspective about Arts, developing their creative capacity, visual and aesthetic literacy, and contributing to their broad understanding of the importance of Arts in their lives. The study was conducted from the following question: What are the challenges and possibilities for adopting the Triangular Approach combined with the Relational Picture for the teaching of Arts in Basic School? To answer this question, bibliographic research was conducted based on the theoretical framework produced by Barbosa (2010), Triangular Approach; Lima (2021), Relational Picture; Bourriaud (2009), Relational Aesthetic. Results suggest the importance of adopting the Triangular Approach combined with the Relational Picture via apps for the creation of images, contributing to the adoption of Work of Art Reading, Artistic Acting, and Contextualization inside students’ realities, as well as the inclusion of students with special educational needs in Arts classes. Therefore, the Triangular Approach and the Relational Picture directly influence the process of teaching/learning Arts in Basic School, including the relational, social, and emotional context of students.

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Author Biography

José Maximiano Arruda Ximenes de Lima, IFCE

Professor Titular PPGARTES/DEARTES - IFCE

Professor do Mestrado Profissional em Artes-ProfArtes - Universidade Federal do Ceará (UFC)

Chefe do Departamento de Artes - IFCE

Presidente da Associação Nacional de Pesquisadores em Artes Plásticas (ANPAP) (Gestão 2023-2024)

Líder do Grupo de Pesquisa ARTE UM/CNPQ/IFCE

 

References

BARBOSA, Ana Mae Tavares Bastos. A imagem no ensino de arte: anos 1980 e novos tempos. 8. ed. São Paulo: Perspectiva, 2010.

BOURRIAUD, Nicolas. Estética relacional. Tradução: Denise Bottmann. São Paulo: Martins Fontes, 2009.

FLEURI, Reinaldo Matias. Todos temos nossas singularidades. [Entrevista cedida a] Radis, Rio de Janeiro, RJ, n. 232, jan. 2022. Fundação Oswaldo Cruz.

LIMA, José Maximiano Arruda Ximenes de. “Incisão e matriz numérica: experimentos híbridos no ensino de arte com base em tecnologias contemporâneas no curso de licenciatura em artes visuais do Instituto Federal do Ceará”. In: GRAVURA ARTÍSTICA E CONTEMPORANEIDADE: FRICÇÃO E FICÇÃO NA VIDA E NA ARTE, Simpósio 9, Rio de Janeiro. Anais...2012. Disponível em: http://www.anpap.org.br/anais/2012/pdf/simposio9/jose_maximiano_lima.pdf. Acesso em: 07 set. 2022.

LIMA, José Maximiano Arruda Ximenes de. “Gravura relacional: relações e rupturas”. In: (RE) EXISTÊNCIAS: Anais do 30º ENCONTRO NACIONAL DA ANPAP, João Pessoa. Anais... 2021. Disponivel em: https://www.even3.com.br/anais/30enanpap2021/382930-gravura-relacional--relacoes-e-rupturas/. Acesso em: 13 nov. 2022.

OSTROWER, Fayga. Criatividade e processos de criação – 6. ed. Petrópolis: Vozes, 1987.

SELBACH, Simone. Arte e didática. Petrópolis, RJ: Vozes, 2010.

Published

2024-05-02

How to Cite

Alves de Fontes Rodrigues, A., & Maximiano Arruda Ximenes de Lima, J. (2024). TRIANGULAR APPROACH AND RELATIONAL PICTURE: CHALLENGES AND POSSIBILITIES FOR THE TEACHING OF ARTS IN BASIC SCHOOL. Revista Trama Interdisciplinar, 15(1), 248–266. Retrieved from http://editorarevistas.mackenzie.br/index.php/tint/article/view/15899