Musical territories and territorialities
conceptualizing the appropriations of public space by music
DOI:
https://doi.org/10.5935/cadernospos.v24n2p79-92Keywords:
Music; Territory; Public space; Territoriality; Urban culture.Abstract
In the current sonic empowerment scenario, stemming from the ease of access to sound technologies of significant power, it is proposed to understand the influence of music on urban dynamics through its interpretation not only as an immaterial spatiality in the sonic dimension but also as a socio-spatial practice with material implications. This interpretation suggests that, beyond configuring itself as a landscape element, musical practices delineate territories in public space, establishing power relations while presenting themselves as artistic-cultural elements. Conflicts and negotiations in the use of space arise from this characteristic, making it conducive to understanding and proposing a new episteme that enables the analysis of this music-urban space relationship. The musical Territory emerges as a critical concept in this episteme, encompassing both the nature of cultural spaces and sound’s impermanent and temporal nature. It is suggested that this Territory arises from territorialities directly related to the actors involved in the production and reception of musical practice. This territoriality can promote either a positive impact, enhancing the quality, or a negative one, characterized by disputes, on space.
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