The style of the pierced hand

Abstract

The style, the pikey appearance is one of the most important features of its frame and is independent of social status. The street pier, as well as the resident and domiciled bourgeois foracluido, walks through the same perversion flanerie and seeks defense mechanisms for the maintenance of personal deception, such as the Dândis; or to survive the social foraclusion seek imaginary bulkhead in moral clothing. Dress up the prêt-a-porter presents a fantastical logic that articulates from the formula of connection between the subject
and the structure of signifier that always returns as a lack of object a, as a scriptural phantom. In this sense, the defense is always inventive, the subject reveals the faults wearing the ideal, the model accepted socially in the attempt to leave the foraclusion. By revealing the scripture of desire that may return as neurotic, perverse metonymy or as delusional and/or hallucinatory metaphor, as rest of the great other’s significant hunger.