Unforeseeable Situations

A confined reflection

Authors

  • Tânia Alexandra Cardoso Amsterdam School for Cultural Analysis, University of Amsterdam

DOI:

https://doi.org/10.5935/cadernospos.v21n1p78-93

Keywords:

City Illustration; Embodiment; Artistic practices; Feminist urban research; Urban imaginary.

Abstract

Unforeseeable Situations: A Confined Reflection considers the impact of the latest confinement restrictions on the urban embodied research practice in a non-traditional academic format: city illustration. It is a non-sequential route that highlights specific and mostly iconic spaces in the city of Amsterdam while confronting them with the reality of absence. The empty spaces are juxtaposed by ghost conversations, superficial memories of my own embodied practice of walking, contrasting the superficiality of the overcrowded tourist reality in the city of Amsterdam with the solid physical elements that remain in place even without it. Drawing in the streets and learning from this interaction with urban space is an important part of my artistic research. However, everyday life, in general, has quickly changed in these last months due to the emergence and dissemination of the novel coronavirus SARS- CoV- 2 around the world. As I find myself confined behind the walls of my house, I turn to these city illustrations to reflect on my role as a female  urban researcher, learning how to cope with chronic illness, and the implications of confinement in the practice of artistic and embodied research.

Downloads

Download data is not yet available.

Author Biography

Tânia Alexandra Cardoso , Amsterdam School for Cultural Analysis, University of Amsterdam

Tânia A. Cardoso is a PhD candidate at the Amsterdam School of Cultural Analysis, University of Amsterdam, and has an MA in Urbanism from the Federal University of Rio de Janeiro. She is interested in researching the relationship between illustration and the city. Drawing in the streets of the city is her favourite hobby and her illustration work has been included in several international collective exhibitions; won the ‘Worldwide Picture Book Illustration Competition’ 2015 in the Netherlands, the ‘Gorsedh Kernow Creativity Award’ 2017 in Cornwall, UK and was nominated finalist for the ‘Women Cartoonists International Award’ 2019 in Normandy, France.

References

ARCHER, D. Blog What is comics journalism? 2013. Disponível em: http://www.archcomix.com/comics-journalism/. Acesso em: 5 nov. 2017.

BENJAMIN, W. The storyteller: reflections on the works of nikolai leskov. In: BENJAMIN, W. Illuminations: essays and reflections. New York, NY: Schocken Books, 1968 [2007].

BRINKERHOFF, R.; MCLLWAIN NISHIMURA, M. Image and meaning, prehistory - 1500 CE. In: DOYLE, S.; GROVE, J.; SHERMAN, W. (ed.). History of illustration. New York, NY: Bloomsbury Publishing, 2019. p. 2-15.

CAMPANARIO, G. The art of urban sketching: drawing on location around the world. Beverly, MA: Quarry Books, 2012.

CHUTE, H. L. Graphic women: life narrative and contemporary comics. New York, NY: Colombia University Press, 2010.

CHUTE, H. L. Disaster drawn: visual witness, comics, and documentary form. Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 2016.

COTTER, L. Reclaiming artistic research. Berlin: Hatje Cantz Verlag, 2019. p. 9-23.

DE ASSIS, P.; D’ERRICO, L. Introduction. In: DE ASSIS, P.; D’ERRICO, L. Artistic research: charting a field in expansion. London: Rowman & Littlefield International Ltd, 2019. p. 1-11.

DE CERTEAU, M. The practice of everyday life. London: University of California Press, 1984.

DEBORD, G. Theory of the Dérive. In: MCDONOUGH, T. (Ed.). The situationists and the city. London: Verso, 1958 [2009].

INGOLD, T. The perception of the environment: essays on livelihood, dwelling and skill. New York, NY: Routledge, 2002.

INGOLD, T. Being alive: essays on movement, knowledge and description. New York, NY: Routledge, 2011.

HARVEY, A. Walking, drawing, indexing: representing bodily experience of landscape. New American Notes Online. 2014. Website. Disponível em: https://nanocrit.com/issues/issue6/walking-drawing-indexing-representing-bodily-experience-landscape. Acesso em: 5 jan. 2019.

KERN, L. Feminist city: claiming space in a man-made world. London: Verso, 2020.

MICKWITZ, N. Documentary comics. New York: Palgrave Macmillan US, 2016.

MUSTAQIM, K. Drawing perform’s: an artistic research. International Journal of Creative and Arts Studies, v. 5, n. 1, p. 55-66, 29 out. 2018.

POWELL, A. Alison Powell on data walking. TMG Journal for Media History, v. 21, n. 2, p. 146, 1º nov. 2018.

SACCO, J. Journalism. London: Jonathan Cape, 2012.

SALGADO, P. Um desenho (científico) por uma História (natural). IMAGINAR: Revista da Associação de Professores de Expressão e Comunicação Visual, n. 48, p. 6-9, jul. 2007.

Downloads

Published

2021-07-03

How to Cite

CARDOSO, T. A. Unforeseeable Situations: A confined reflection. Graduate Journal in Architecture and Urbanism, [S. l.], v. 21, n. 1, p. 78–93, 2021. DOI: 10.5935/cadernospos.v21n1p78-93. Disponível em: http://editorarevistas.mackenzie.br/index.php/cpgau/article/view/unforeseeable.situations.cadernos.pos.au.2021.1. Acesso em: 31 aug. 2024.

Issue

Vol. 21 No. 1 (2021)

Section

Papers

License

Authors who publish in this journal agree to the following terms:

a) Authors retain the copyright and grant the journal the right of first publication, with the Project simultaneously licensed under the Creative Commons Attribution License that allows the sharing of the Project with recognition of the authorship and initial publication in this journal.

 

b) Authors are authorized to assume additional contracts separately for the non-exclusive distribution of the version of the Project published in this journal (e.g., publishing in an institutional repository or as a book chapter), indicating that it was originally published in this journal, with a link to the article.