Of the lips that narrate to the invisible eye
Narrative strategies in Capitu
Abstract
This article investigates the audiovisual exhibition strategies in order to understand how a narration happens in the microseries Capitu (2008), directed by Luiz Fernando Carvalho. There are also the contributions of cinematographic narratology, about the existence of a narrative instance in the cinema, in tracing of the enunciative expedients responsible for the narrative activity in the Carvalhian work. It stands out the manipulation of the camera as one of the narrative traits that, articulated and attuned to other sources, collaborates for the specificity of narration in the microseries.
Keywords: Adaptation. Audiovisual aesthetics. Serial fiction. Narrative instance. Microserie Capitu.
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