O insólito do curta-metragem Bao
análise das estratégias e efeitos narrativos
Keywords:
fantástico, narratologia, audiovisualAbstract
In studies by Tzvetan Todorov, he contributed to the definitions of the knowledge of literature and the genres of the fantastic. Being described by phenomenons, spaces or situations that evade the perception of the reader and the character. The fantastic is permeated by hesitation and will allow it to be conducted in narratives through different perspectives of the interpreters of the diegesis. So, for this article will examine the narrative present in audiovisual products, the Bao animation created by Pixar and Disney studios. The unusual elements will be analyzed and which sense effects are allowed to be discussed under the look of the genres of the fantastic designated by Todorov, created through the narrative in computer graphics.
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BAO. Direção: Domee Shi. Disponível em: <https://www.dailymotion.com/video/x80t3lg>. Online. Acesso em: 04/07/23.
BARBIERI, Claudia. Poéticas do espaço literário. Organizadores: Ozíris Borges Filho, Sidney Barbosa. São Carlos: Editora Claraluz, 2009.
BARTHES, Roland. Análise estrutural da narrativa. Petrópolis: Vozes, 2013.
NUNES, Benedito. O tempo na narrativa. São Paulo: Edições Loyola, 1ª edição, 2013.
PIXAR. Bao. Disponível em: <https://www.pixar.com/bao>. Online. Acesso em: 24/01/23.
TODOROV, T. “Definições do fantástico”. Introdução a Literatura fantástica. São Paulo: Perspectiva, 1970
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