A reserva interior de Batendo Pasto (2020), de Maria Lúcia Alvim
Keywords:
Maria Lúcia Alvim, Batendo pasto, Poesia brasileiraAbstract
Part of a family of poets, Maria Lúcia Alvim began publishing in 1959, but despite solid publications, she settled for silence. Written in 1982, Batendo pasto only took editorial form in mid-2020. MLA's production remained in the limbo of literary historiography, as Domeneck and Flores (2020) point out, her work makes up a small repertoire of anthologies, translations and corpus of academic works. That said, the objective of this work is the interpretative analysis of two [three] poems from Batendo pasto, with a comparison and seeking to reference the reflections from texts related to the theory of the poem, especially critical texts about modern poetry, such as Eliot (1989) and Britto (2014).
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ALVIM, M. L. Batendo pasto. Minas Gerais: Relicário, 2020.
BRITTO, P. H. O Natural e o Artificial: Algumas Reflexões sobre o Verso Livre. eLyra: Revista da Rede Internacional Lyracompoetics, [S. l.], n. 3, 2014. Disponível em: https://www.elyra.org/index.php/elyra/article/view/40. Acesso em: 21 jul. 2021.
BRITTO, P. H. Um poema de Maria Lúcia Alvim. In: ALVIM, M. L. Batendo pasto. Minas Gerais: Relicário, 2020. p. 125-133.
DOMENECK, R. Os percursos de um livro inédito de Maria Lúcia Alvim. In: ALVIM, M. L. Batendo pasto. Minas Gerais: Relicário, 2020. p. 9-21.
ELIOT, T. S.. Tradição e talento individual. In: Ensaios. Tradução, interpretação e notas de Ivan Junqueira. São Paulo: Art Editora, 1989.
FLORES, G. G. Maria Lúcia Alvim no rol do esquecimento: a vida e a vida da poesia. In: ALVIM, M. L. Batendo pasto. Minas Gerais: Relicário, 2020. p. 23-31.
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