Intermidiatic relations between music and literature
A typology analysis
Keywords:
Intermediality, Literature, MusicAbstract
This article aims to make the intermediality process involving literature and music. First, the aim is to describe the “media” term when used in the linguistics field. After that, the studies described by Rajewsky (2012) were used since the theorist subcategorized the intermediality process between three parts. Finally, to understand how the intermidiatic relations occur in the music, especially in comparison with the literature, Wolf (2015) is used as a theorist worried about the subcategorization of Rajewsky’s diffused academic research.
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References
ELLËSTROM, L. Midialidade: ensaios sobre comunicação, semiótica e intermidialidade. Porto Alegre: EdiPUCRS, 2017.
MELCHIORI, M. M. Carmen et l’oiseau bleu: de Bizet à Stromae. Synergies Brésil, n. 13, p. 37-48, 2018. Disponível em: https://gerflint.fr/Base/Bresil13/marangoni.pdf. Acesso em: 7 jun. 2022.
RAJEWSKY, I. O. Intermidialidade, intertextualidade e “remediação”: uma perspectiva literária sobre a intermidialidade. In: Diniz, T. F. N. Intermidialidade e estudos interartes: desafios da arte contemporânea. Belo Horizonte, UFMG, 2012.
WOLF, W. Literature and music: theory. In: RIPPL, G. (ed.). Handbook of intermediality: literature, image, sound, music. Berlin: De Gruyter, 2015. p. 549-474.
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