“O worthy fool: motley's the only wear”: os atores cômicos do palco shakespeariano
Abstract
Nos primeiros anos da carreira de Shakespeare, não era a fama do Bardo que atraía multidões para o teatro, mas sim a de seus atores cômicos. Este estudo debruça-se sobre as características de dois deles: Will Kemp e Robert Armin, analisando alguns dos principais aspectos de suas performances cômicas.
Downloads
References
BELL, Robert. Shakespeare's Great Stage of Fools. New York: Palgrave-Macmillan, 2011.
CAMPBELL, Oscar James. Shakespeare’s Satire. New York: Gordian Press, 1971.
HARTLEY, Andrew J. “Character, Agency and the Familiar Actor”. In: YACHNIN, Paul; SLIGHTS, Jessica (ed.). Shakespeare and Character: Theory, History, Performance and Theatrical Persons. New York: Palgrave Shakespeare Studies, 2009, p.158-176.
HORNBACK, Robert. The English Clown Tradition from the Middle Ages to Shakespeare. Cambridge: D. S. Brewer, 2009.
OTTO, Beatrice. Fools Are Everywhere. Chicago: University of Chicago Press, 1996.
PREISS, Richard. Clowning and Authorship in Early Modern Theatre. Cambridge University Press, 2015.
VIDEBAEK, Bente. The Stage Clown in Shakespeare’s Theatre. London: Greenwood Press, 1996.
WEIMANN, Robert; BRUSTER, Douglas. Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre. Cambridge: Cambridge University Press, 2009.
WELSFORD, Enid. The Fool. London: Faber and Faber, 1935.
WILES, David. Shakespeare's Clown: Actor and Text in the Elizatbethan Playhouse. Cambridge: Cambridge University Press, 1987.
Downloads
Published
How to Cite
Issue
Section
License
The copyright of the articles published in Cadernos de Pós-Graduação em Letras belongs to the authors, who grant the Mackenzie Presbyterian University the exclusive rights to publish the content. Total or partial reproduction is prohibited without due authorization from the Editorial Committee, except for study and research.
